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Where the Power Is : Indigenous Perspectives on Northwest Coast Art

By: Bill McLennan (Author) , Jordan Wilson (Author) , Karen Duffek (Author)

Out of stock

Ksh 7,400.00

Format: Hardback or Cased Book

ISBN-10: 1773270516

ISBN-13: 9781773270517

Publisher: Figure 1 Publishing

Imprint: Figure 1 Publishing

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Apr 14th, 2022

Publication Status: Active

Product extent: 372 Pages

Weight: 2670.00 grams

Dimensions (height x width x thickness): 26.50 x 31.20 x 3.80 cms

Product Classification / Subject(s): Art of indigenous peoples
Indigenous peoples

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Where the Power Is: Indigenous Perspectives on Northwest Coast Art brings together contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art that transcend the category of “art” or “artifact” and embody distinct ways of knowing and being in the world. Dozens of Indigenous artists and community members visited the Museum of Anthropology at the University of British Columbia to engage with these objects and learn from the hands of their ancestors. The photographs and their commentaries speak to the connections between tangible and intangible cultural belongings; how “art” remains part of Northwest Coast peoples’ ongoing relationships to their territories and governance; Indigenous experiences of reconnection, reclamation, and return; and critical and necessary conversations around the role of museums.
Where the Power Is: Indigenous Perspectives on Northwest Coast Art brings together contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art that transcend the category of “art” or “artifact” and embody distinct ways of knowing and being in the world. Dozens of Indigenous artists and community members visited the Museum of Anthropology at the University of British Columbia to engage with these objects and learn from the hands of their ancestors. The photographs and their commentaries speak to the connections between tangible and intangible cultural belongings; how “art” remains part of Northwest Coast peoples’ ongoing relationships to their territories and governance; Indigenous experiences of reconnection, reclamation, and return; and critical and necessary conversations around the role of museums.

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