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The Sounds and Sights of Performance in Early Music : Essays in Honour of Timothy J. McGee

By: (Author) Maureen Epp , (Edited by) Brian E. Power

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Ksh 25,450.00

Format: Hardback or Cased Book

ISBN-10: 0754654834

ISBN-13: 9780754654834

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Oct 28th, 2009

Print length: 310 Pages

Weight: 453 grams

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Presents a cross-section of research on performance issues in medieval and renaissance music. This work draws on complementary disciplines such as dance history, art history, music iconography and performance traditions from beyond western Europe.
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: ''Viewing the Evidence'' in which visually based information is used to address particular questions of music performance; and ''Reconsidering Contexts'' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.

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