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The Oxford Book of Theatrical Anecdotes

By: Gyles Brandreth (Author)

3 in stock

Ksh 7,600.00

Format: Hardback or Cased Book

ISBN-10: 0198749589

ISBN-13: 9780198749585

Publisher: Oxford University Press

Imprint: Oxford University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Oct 8th, 2020

Publication Status: Active

Product extent: 832 Pages

Weight: 946.00 grams

Dimensions (height x width x thickness): 14.00 x 20.40 x 5.20 cms

Product Classification / Subject(s): Theatre: individual actors & directors
Collected biographies

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The ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and providing a wonderfully entertaining and revealing portrait of the world of the theatre across four hundred years.
This is the ultimate anthology of theatrical anecdotes, edited by lifelong theatre-lover Gyles Brandreth in the Oxford tradition, and covering every kind of theatrical story and experience from the age of Shakespeare and Marlowe to the age of Stoppard and Mamet, from Richard Burbage to Richard Briers, from Nell Gwynn to Daniel Day-Lewis, from Sarah Bernhardt to Judi Dench.Players, playwrights, prompters, producers--they all feature. The Oxford Book of Theatrical Anecdotes provides a comprehensive, revealing, and hugely entertaining portrait of the world of theatre across four hundred years. Many of the anecdotes are humorous: all have something pertinent and illuminating to say about an aspect of theatrical life--whether it is the art of playwriting, the craft of covering up missed cues, the drama of the First Night, the nightmare of touring, or the secret ingredients of star quality. Edmund Kean, Henry Irving, John Gielgud, Laurence Olivier, Ellen Terry, Edith Evans, Maggie Smith, Helen Mirren--the great ''names'' are all here, of course, but there are tales of the unexpected, too--and the unknown. This is a book--presented in five acts, with a suitably anecdotal and personal prologue from Gyles Brandreth--where, once in a while, the understudy takes centre-stage and Gyles Brandreth treats triumph and disaster just the same, including stories from the tattiest touring companies as well as from Broadway, the West End and theatres, large and small, in Australia, India, and across Europe.

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