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The Empire Triumphant : Race, Religion and Rebellion in the Star Wars Films

By: (Author) Jr. Wetmore Kevin J.

Extended Catalogue

Ksh 5,450.00

Format: Paperback or Softback

ISBN-10: 078642219X

ISBN-13: 9780786422197

Publisher: McFarland & Co Inc

Imprint: McFarland & Co Inc

Country of Manufacture: US

Country of Publication: GB

Publication Date: Oct 11th, 2005

Print length: 224 Pages

Weight: 316 grams

Dimensions (height x width x thickness): 22.80 x 15.30 x 1.40 cms

Product Classification: Films, cinema

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Focuses on the Star Wars saga. The first topic of this book is how the films use the language of colonialism to emphasize the idea of imperialism. Next the author looks at how Asian influences, including religious undertones from Taoism and Buddhism and the works of Kurosawa and other Asian filmmakers, provide a subtext for much of the action.

George Lucas''s first Star Wars trilogy shows the influences of its era; Cold War tension is evident in its theme of rebellion against totalitarianism. Recent entries in the Star Wars saga--The Phantom Menace (1999) and Attack of the Clones (2002)--are much more concerned with evil corporations, terrorists, and the corruption of the political process. Each film is influenced by the times in which it was released, but also by cultural subtexts and by other films that had direct and indirect effects on Lucas as writer, producer, and director.

This work focuses on all six Star Wars films. The first topic of this multifaceted examination is how the films use the language of colonialism ("The" Rebellion, "The" Empire) to emphasize the idea of imperialism. Next the author looks at how Asian influences--including religious undertones from Taoism and Buddhism and the works of Kurosawa and other Asian filmmakers--provide a subtext for much of the action. Next the discussion turns to the representation of people of color in the Star Wars universe, and how other ethnicities are represented overall, particularly through the literalization of the word "aliens." These topics of discussion provide for penetrating conclusions about Lucas''s films and how they represent race, religion, and rebellion.


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