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Step Dancing in Ireland : Culture and History

By: (Author) Catherine E. Foley

Extended Catalogue

Ksh 27,000.00

Format: Hardback or Cased Book

ISBN-10: 1409448924

ISBN-13: 9781409448921

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Sep 13th, 2013

Print length: 280 Pages

Weight: 676 grams

Dimensions (height x width x thickness): 24.00 x 16.60 x 2.40 cms

Product Classification: Folk dancing

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This book provides a rich historical and ethnographic account of step dancing, step dancers, and Irish cultural institutions. Catherine Foley tells the story of step dance from its roots in eighteenth-century Ireland to its modern globalized appeal. Foley applies a regional focus to her examination of step dace.
For many people step dancing is associated mainly with the Irish step-dance stage shows, Riverdance and Lord of the Dance, which assisted both in promoting the dance form and in placing Ireland globally. But, in this book, Catherine Foley illustrates that the practice and contexts of step dancing are much more complicated and fluid. Tracing the trajectory of step dancing in Ireland, she tells its story from roots in eighteenth-century Ireland to its diverse cultural manifestations today. She examines the interrelationships between step dancing and the changing historical and cultural contexts of colonialism, nationalism, postcolonialism and globalization, and shows that step dancing is a powerful tool of embodiment and meaning that can provoke important questions relating to culture and identity through the bodies of those who perform it. Focusing on the rural European region of North Kerry in the south-west of Ireland, Catherine Foley examines three step-dance practices: one, the rural Molyneaux step-dance practice, representing the end of a relatively long-lived system of teaching by itinerant dancing masters in the region; two, Rinceoirí na Ríochta, a dance school representative of the urbanized staged, competition orientated practice, cultivated by the cultural nationalist movement, the Gaelic League, established at the end of the nineteenth century, and practised today both in Ireland and abroad; and three, the stylized, commoditized, folk-theatrical practice of Siamsa Tíre, the National Folk Theatre of Ireland, established in North Kerry in the 1970s. Written from an ethnochoreological perspective, Catherine Foley provides a rich historical and ethnographic account of step dancing, step dancers and cultural institutions in Ireland.

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