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Soviet Art House : Lenfilm Studio under Brezhnev

By: Catriona Kelly (Author)

Extended Catalogue

Ksh 11,850.00

Format: Paperback or Softback

ISBN-10: 0197548377

ISBN-13: 9780197548370

Publisher: Oxford University Press Inc

Imprint: Oxford University Press Inc

Country of Manufacture: US

Country of Publication: GB

Publication Date: Mar 31st, 2021

Publication Status: Active

Product extent: 536 Pages

Weight: 898.00 grams

Dimensions (height x width x thickness): 17.50 x 25.10 x 3.30 cms

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Soviet Art House provides a unique look into a Soviet film studio from the 1960s to the years leading up to the collapse of the Soviet Union. It tells the story of how filmmakers struggled with and overcame ideological and economic constraints to create oppositional and highly original movies in an authoritarian society.
Its unique ability to sway the masses has led many observers to consider cinema the artform with the greatest political force. The images it produces can bolster leaders or contribute to their undoing. Soviet filmmakers often had to face great obstacles as they struggled to make art in an authoritarian society that put them not only under ideological pressure but also imposed rigid economic constraints on the industry. But while the Brezhnev era of Soviet filmmaking is often depicted as a period of great repression, Soviet Art House reveals that the films made at the prestigious Lenfilm studio in this period were far more imaginative than is usually suspected.In this pioneering study of a Soviet film studio, author Catriona Kelly delves into previously unpublished archival documents and interviews, memoirs, and the films themselves to illuminate the ideological, economic, and aesthetic dimensions of filmmaking in the Brezhnev era. She argues that especially the young filmmakers who joined the studio after its restructuring in 1961 revitalized its output and helped establish Leningrad as a leading center of oppositional art. This unique insight into Soviet film production shows not only the inner workings of Soviet institutions before the system collapsed but also traces how filmmakers tirelessly dodged and negotiated contradictory demands to create sophisticated and highly original movies.

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