This collection of essays, some previously unpublished, discusses the ways in which earlier illustrators and painters approached Shakespeare's plays, looking at images in relation to performance, criticism and their social and political frames in the key period of Shakespeare imaging.
This wide-ranging study traces the forces that drove the production and interpretation of visual images of Shakespeare''s plays. Covering a rich chronological terrain, from the beginning of the eighteenth century to the midpoint of the nineteenth, Stuart Sillars offers a multidisciplinary, nuanced approach to reading Shakespeare in relation to image, history, text, book history, print culture and performance. The volume begins by relating the production imagery of Shakespeare''s plays to other visual forms and their social frames, before discussing the design and operation of illustrated editions and the ''performance readings'' they offer, and analysing the practical and theoretical foundations of easel paintings. Close readings of The Comedy of Errors, King Lear, the Roman plays, The Merchant of Venice and Othello provide detailed insight into how the plays have been represented visually, and are accompanied by numerous illustrations and a beautiful colour plate section.
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