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Representing the New AI in Film and Television (Bloomsbury Studies in Digital Cultures)

By: Dr Graham Allen (Author)

Manufacture on Demand

Ksh 14,400.00

Format: Hardback or Cased Book

ISBN-10: 1350378038

ISBN-13: 9781350378032

Collection / Series: Bloomsbury Studies in Digital Cultures

Collection Type: Publisher collection

Publisher: Bloomsbury Publishing PLC

Imprint: Bloomsbury Academic

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Jun 26th, 2025

Publication Status: Active

Product extent: 240 Pages

Weight: 327.00 grams

Dimensions (height x width x thickness): 23.60 x 15.80 x 2.00 cms

Product Classification / Subject(s): Film, TV & radio
Film theory & criticism

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The 21st-century has witnessed rapid advances in artificial intelligence, giving rise to a society at once hopeful but also mistrustful of the possibilities that this technology offers. Our hopes and anxieties have played out across a variety of media in recent times, but arguably nowhere more significantly than on our screens. This book explores a phenomenon, which it calls the new AI cinema and television, arguing that since the mid-2010s, a distinctly new phase in the representation of AI has occurred. Discussing films such as Blade Runner 2049, Ex Machina and Ghost in the Shell alongside television series such as Westworld and Humans, it argues that they have moved away from apocalyptic scenarios towards questions of personhood, consciousness, and social inclusion and exclusion. In doing so, it intervenes in some of today's most pressing debates, including gender representation, AI ethics, climate catastrophe, and the rights of artificially intelligent beings.

The 21st-century has witnessed rapid advances in artificial intelligence, giving rise to a society at once hopeful but also mistrustful of the possibilities that this technology offers. Our hopes and anxieties have played out across a variety of media in recent times, but arguably nowhere more significantly than on our screens.
This book explores a phenomenon, which it calls the new AI cinema and television, arguing that since the mid-2010s, a distinctly new phase in the representation of AI has occurred. Discussing films such as Blade Runner 2049, Ex Machina and Ghost in the Shell alongside television series such as Westworld and Humans, it argues that they have moved away from apocalyptic scenarios towards questions of personhood, consciousness, and social inclusion and exclusion. In doing so, it intervenes in some of today''s most pressing debates, including gender representation, AI ethics, climate catastrophe, and the rights of artificially intelligent beings.


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