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Petrarca Und Die Bildenden Kunste : Dialoge, Spiegelungen, Transformationen

By: (Edited by) Maria Antonietta Terzoli , (Edited by) Sebastian Schutze

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Format: Hardback or Cased Book

ISBN-13: 9783110686968

Series: Refigurationen

Publisher: De Gruyter

Imprint: De Gruyter

Country of Manufacture: DE

Country of Publication: GB

Publication Date: May 10th, 2021

Print length: 468 Pages

Weight: 1,265 grams

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Petrarch intensively examined the visual arts of his time. He possessed a Madonna painting by Giotto and commissioned Simone Martini to create the unique frontispiece of his codex on Vergil. His works are key texts with respect to the discovery of the landscape and humanistic villa culture as well as the female portrait and the triumphant iconography of the Renaissance and the Baroque. The myth of the poet-prince associated with Petrarch has continued to offer a productive projection screen for both literati and artists up to modern times. The texts in the book open up new perspectives on central aspects of Petrarch’s life and work and his importance as a charismatic phenomenon in the history of European art in a dialogue between literary studies and art history.

Petrarca hat sich intensiv mit den bildenden Künsten seiner Zeit auseinandergesetzt. Er besaß ein Madonnenbild Giottos und beauftragte Simone Martini mit dem einzigartigen Frontispiz seines Vergilcodex. Seine Werke sind Schlüsseltexte für die Entdeckung der Landschaft und die humanistische Villenkultur ebenso wie für das weibliche Porträt und die Triumphikonographie der Renaissance und des Barock. Der mit Petrarca verbundene Mythos des Dichterfürsten bietet bis in die Moderne hinein eine produktive Projektionsfläche für Literaten und Künstler gleichermaßen. Die Beiträge des Bandes eröffnen im Dialog zwischen Literaturwissenschaft und Kunstgeschichte neue Perspektiven auf zentrale Aspekte von Leben und Werk Petrarcas und seine Bedeutung als Ausstrahlungsphänomen der europäischen Kulturgeschichte.


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