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Paranoid Modernism : Literary Experiment, Psychosis, and the Professionalization of English Society

By: (Author) David Trotter

Manufacture on Demand

Ksh 31,850.00

Format: Hardback or Cased Book

ISBN-10: 0198187556

ISBN-13: 9780198187554

Publisher: Oxford University Press

Imprint: Oxford University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Sep 27th, 2001

Print length: 368 Pages

Weight: 616 grams

Dimensions (height x width x thickness): 22.30 x 14.40 x 2.90 cms

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What provoked the fierce and systematic 'will to experiment' that was Modernism? Paranoia - thought especially to afflict those whose identities were founded on professional expertise - was described in the contemporary psychiatric literature as the violent imposition of system onto life's randomness.
The early twentieth century notoriously saw an unprecedented wave of experiment in the arts. So intense was this activity that one can without exaggeration speak of a will to experiment (to ''make it new''). Where did that will to experiment come from? Why did it so insistently take the forms it took? Looking specifically at Modernism in England, David Trotter seeks answers in the careers of three novelists writing in the first decades of the century: Ford Madox Ford, D. H. Lawrence, and Wyndham Lewis. The context he proposes for their work is that of contemporary understandings of the function and value of expertise, and of the dilemmas peculiar to those possessing it. There is a certain madness about the expert''s pursuit of expertise, and about his or her disappointment if expertise fails to yield adequate social recognition. The early psychiatric literature identified this madness as paranoia, and the textbooks and case-histories find an uncanny echo in Modernist fiction. In the obstinacy of their will to experiment, Ford, Lawrence, and Lewis wrote about, and lived, paranoia. To understand that obstinacy in its professional and psychiatric contexts is to approach from a new and unexpected angle the preoccupations with gender and with the politics of culture which currently characterize the study of Modernism. The energies it shook loose in their writing are energies which, evading absorption into the ''postmodern'', continue to shape Western society and culture to this day.

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