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Of ‘Truths Impossible to Put in Words’ : Max Beckmann Contextualized - New

By: (Edited by) Maria Makela , (Edited by) Rose-Carol Washton Long

Extended Catalogue

Ksh 12,800.00

Format: Paperback or Softback

ISBN-10: 3039107046

ISBN-13: 9783039107049

Edition: New

Publisher: Verlag Peter Lang

Imprint: Verlag Peter Lang

Country of Manufacture: CH

Country of Publication: GB

Publication Date: Mar 2nd, 2009

Print length: 436 Pages

Weight: 656 grams

Dimensions (height x width x thickness): 15.20 x 22.50 x 2.30 cms

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Dismissing attempts to characterize his paintings and graphic work as connected to stylistic movements or to historical events, Max Beckmann positioned himself above the earthly realm and claimed that he painted ‘truths impossible to put in words’. In contrast, this volume consists of essays that relate his work to the tangible circumstances of its production and reception. Unlike much earlier scholarship that has focused on stylistic analysis or on interpretations of the work’s ‘eternal truth’, these essays contextualize aspects of Beckmann’s early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports, and exile. The anthology thus expands Beckmann scholarship, which only recently has begun to consider context in relation to his position as both a central and an outside figure in the history of modern art in the twentieth century.
Dismissing attempts to characterize his paintings and graphic work as connected to stylistic movements or to historical events, Max Beckmann positioned himself above the earthly realm and claimed that he painted ‘truths impossible to put in words’. In contrast, this volume consists of essays that relate his work to the tangible circumstances of its production and reception. Unlike much earlier scholarship that has focused on stylistic analysis or on interpretations of the work’s ‘eternal truth’, these essays contextualize aspects of Beckmann’s early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports, and exile. The anthology thus expands Beckmann scholarship, which only recently has begun to consider context in relation to his position as both a central and an outside figure in the history of modern art in the twentieth century.

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