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Njideka Akunyili Crosby

By: Drew Thompson (Author) , Helen Molesworth (Author) , Jareh Das (Author) , Jason Rosenfeld (Author) , Njideka Akunyili Crosby (Author)

4 in stock

Ksh 19,000.00

Format: Hardback or Cased Book

ISBN-10: 1644231387

ISBN-13: 9781644231388

Publisher: David Zwirner

Imprint: David Zwirner

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Apr 3rd, 2025

Publication Status: Active

Product extent: 256 Pages

Weight: 1668.00 grams

Dimensions (height x width x thickness): 29.40 x 23.90 x 3.00 cms

Product Classification / Subject(s): Individual artists, art monographs

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The first monograph on the internationally celebrated Nigerian American painter who blends her personal history and the African diasporic identity in layered compositions “Critics have often (and rightly) marveled at the care and finesse with which Akunyili Crosby assembles vast multiplicities of time and place into singular sites of visual contestation.” —FriezeNjideka Akunyili Crosby’s work unites multiple places and temporalities, reflecting both personal and universal dimensions of contemporary life and, in particular, the intricacies of the African diasporic identity. This first monograph on Akunyili Crosby brings together nearly fifty paintings, made from 2010 to 2023, that chart her methodical practice of layering painted representations of people, locales, and aspects of her own experiences with transferred images sourced from her personal collection, Nigerian publications, and other outlets. Akunyili Crosby reveals and revisits distinct realms, from lush gardens to domestic, interior worlds related to motherhood, family, marriage, the body, and personal identity. New texts from Jareh Das, Helen Molesworth, Jason Rosenfeld, and Drew Thompson focus on a range of themes in Akunyili Crosby’s work, including her visual language and material practice, her mixing of Western and Nigerian imagery and forms, and her use of photography in portraiture and figuration.
The first monograph on the internationally celebrated Nigerian American painter who blends her personal history and African diasporic identity in layered compositions

“Critics have often (and rightly) marveled at the care and finesse with which Akunyili Crosby assembles vast multiplicities of time and place into singular sites of visual contestation.” —Frieze

Njideka Akunyili Crosby’s work unites multiple places and temporalities, reflecting both personal and universal dimensions of contemporary life and, in particular, the intricacies of the African diasporic identity. This first monograph on Akunyili Crosby brings together nearly fifty paintings, made from 2010 to 2023, that chart her methodical practice of layering painted representations of people, locales, and aspects of her own experiences with transferred images sourced from her personal collection, Nigerian publications, and other outlets. Akunyili Crosby reveals and revisits distinct realms, from lush gardens to domestic, interior worlds related to motherhood, family, marriage, the body, and personal identity.

New texts from Jareh Das, Helen Molesworth, Jason Rosenfeld, and Drew Thompson focus on a range of themes in Akunyili Crosby’s work, including her visual language and material practice, her mixing of Western and Nigerian imagery and forms, and her use of photography in portraiture and figuration.

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