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Manet, Wagner, and the Musical Culture of Their Time

By: (Author) Therese Dolan

Manufacture on Demand

Ksh 26,100.00

Format: Hardback or Cased Book

ISBN-10: 1409446700

ISBN-13: 9781409446705

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: US

Country of Publication: GB

Publication Date: Sep 28th, 2013

Print length: 288 Pages

Weight: 796 grams

Dimensions (height x width x thickness): 25.20 x 17.00 x 2.50 cms

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In the first full-length book dedicated to the study of Edouard Manet and music, Therese Dolan explores the influence of Wagner's controversial Tannhauser on Manet's Music in the Tuileries, widely considered to be the first modernist work of art. Incorporating studies of the major artistic, literary.
How did the tumult caused by German composer Richard Wagner result in the first modernist painting? In the first full-length book dedicated to the study of Edouard Manet and music, art historian Therese Dolan demonstrates that the 1862 painting Music in the Tuileries represents the progressive musical culture of his time, heretofore read by scholars predominantly through the words of Charles Baudelaire. Dolan sees in this painting''s radical style the conceptual shift to modernism in both painting and music, a transition that, she convincingly argues, received a strong impetus from Manet''s Music in the Tuileries and Wagner''s controversial Tannhäuser, which premiered the previous year. Supplemental to analysis of the painting, Dolan incorporates discussion of texts by Theophile Gautier, Champfleury, and Baudelaire who are represented in the painting. This book incorporates studies of the major artistic, literary, and musical figures of nineteenth-century France. It represents an important contribution to an understanding of French culture in the third quarter of the nineteenth century, a period of intense literary, artistic, and musical activity that formed the crucible for modernism.

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