Using new archival discoveries and interviews, Honest Bodies illustrates how Anna Sokolow's choreography circulated American modernism internationally from the 1930s to the 1960s. Author Hannah Kosstrin argues that Sokolow's dances embodied the relationship between Communist ideals and Jewish culture.
Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow illustrates the ways in which Sokolow''s choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s-1960s in the United States, Mexico, and Israel. Drawing upon extensive archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow''s statements for workers'' rights, anti-racism, and the human condition through her choreography for social change alongside her dancing and teaching for Martha Graham. Tracing a catalog of dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies the Negro Cultural Committee, New York State Committee for the Communist Party, Federal Theatre Project, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow''s work in conjunction with developments in ethnic definitions, diaspora, and nationalism in the US, Mexico, and Israel.
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