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Heritage Wood : Investigation and Conservation of Art on Wood (Cultural Heritage Science)

By: Austin Nevin (Edited by) , Malgorzata Sawicki (Edited by)

Extended Catalogue

Ksh 29,650.00

Format: Hardback or Cased Book

ISBN-10: 3030110532

ISBN-13: 9783030110536

Collection / Series: Cultural Heritage Science

Collection Type: Publisher collection

Edition statement: 2019 ed.

Publisher: Springer Nature Switzerland AG

Imprint: Springer Nature Switzerland AG

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Oct 28th, 2019

Publication Status: Active

Product extent: 226 Pages

Weight: 576.00 grams

Dimensions (height x width x thickness): 24.10 x 16.00 x 1.80 cms

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Novel methods for the cleaning of gilded surfaces using gelsand emulsions are shown, as are innovative strategies for the consolidation for waterlogged wood, providing key data for the assessment of risks and benefits of new methods, and the short and long-term effects on gilding layers and archaeological wood.

This volume highlights recent research efforts in the conservation and investigation of works of art on wood. Through individual case studies it showcases different experimental methods ranging from X-ray analysis of objects to the study of cross-sections made from micro-samples. 

New research focusing on the technical study, treatment and assessment of works of art on wood in its many forms is featured in this edited volume. Technical studies include the attribution and investigations of a triptych by Hans Memling and a sculpture from workshop of Michel and Gregor Erhart, decorated Syrian rooms, and investigations of finely carved Gothic wooden objects. Synchrotron- based methods are presented for studying the alteration of 19th C. verdigris in Norway, and multi-analytical methods are employed for the investigations of 16th to 19th C. East Asian lacquer from the Kunsthistoriches Museum in Vienna. Novel methods for the cleaning of gilded surfaces using gels and emulsions are shown, as are innovative strategies for the consolidation for waterlogged wood, providing key data for the assessment of risks and benefits of new methods, and the short and long-term effects on gilding layers and archaeological wood. The book clearly shows how collaboration between engineers, physicists, biologists and chemists and conservators of different types of materials can lead to new research in conservation science

This book is crucial reading for conservators and conservation scientists, as well as for technical art history, and provides key methodological case studies of polychromy from different temporal and geographical contexts. 


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