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Hearing Music in a Different Key : Ideological Implications in Works of German Music - New

By: (Author) Jost Hermand , (Series editor) Kristopher Imbrigotta

Extended Catalogue

Ksh 7,200.00

Format: Paperback or Softback

ISBN-10: 1800797664

ISBN-13: 9781800797666

Edition: New

Series: German Life & Civilization

Publisher: Peter Lang International Academic Publishers

Imprint: Peter Lang International Academic Publishers

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Aug 15th, 2022

Print length: 286 Pages

Weight: 452 grams

Dimensions (height x width x thickness): 15.10 x 22.20 x 2.10 cms

Product Classification: World music

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This book, the final work by Jost Hermand (1930–2021), explores the ideological struggles of German composers from the late seventeenth century onward and how these affected some of their most important works, from Pietism and Lutheranism to fascism, exile and the modernism of the early Federal Republic of Germany.

«This volume epitomizes Jost Hermand’s inimitable talent of synthesizing wide-ranging disciplines in an accessible and compelling style, bringing to life the experiences of musicians and their public in the context of their own times. These essays also give us a glimpse into how his own life experiences created the hunger for culture that defined his long and illustrious career.» (Pamela M. Potter, Professor of German and Musicology, University of Wisconsin—Madison)

 

«Jost Hermand’s final book is an enormously rich gift to posterity. The fifteen essays on musical culture that constitute this collection contain brief but illuminating glimpses of the whole glorious parade of serious music and those who composed, cultivated, and commented on it in the German lands, from Buxtehude to Stockhausen and beyond. His insight and well-observed contextualization reveals a lifetime of scholarship and experience.» (Celia Applegate, Professor of History, Vanderbilt University)

 

In contrast to the writings of many other musicologists, this book is not primarily concerned with the biographies of certain composers or a structural analysis of their major compositions, but rather with the stands they took in the ideological struggles during their lifetimes and how these affected some of their most important works. Beginning with the late seventeenth century, special emphasis is thereby given to Pietism, orthodox Lutheranism, the impact of the French Revolution, the restrictive measures of the Metternich period, the Wilhelminian era, Expressionism, the New Objectivity and the materialist aesthetics of the Weimar Republic, fascism, exile and the modernism of the early Federal Republic of Germany.


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