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Global Revolutionary Aesthetics and Politics after Paris ‘68

By: (Edited by) Barry J. Faulk , (Edited by) Christian P. Weber , (Edited by) Martin Munro , (Edited by) William J. Cloonan

Extended Catalogue

Ksh 15,300.00

Format: Hardback or Cased Book

ISBN-10: 1793625735

ISBN-13: 9781793625731

Series: After the Empire: The Francophone World and Postcolonial France

Publisher: Bloomsbury Publishing Plc

Imprint: Lexington Books

Country of Manufacture: US

Country of Publication: GB

Publication Date: Feb 22nd, 2021

Print length: 218 Pages

Weight: 485 grams

Dimensions (height x width x thickness): 24.10 x 16.00 x 2.00 cms

Product Classification: Literature: history & criticism

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The contributions of this volume explore the political, social, and cultural legacies of May ‘68 revolt in France and similar protest movements in other nations around the globe. These events share a global utopian imaginary which found expression in a variety of artistic productions.

The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents a kaleidoscope of different perceptions, reflections, and receptions of protest in France, Italy, and other nations that share in common a global utopian imaginary as expressed, for example, in the slogan: “All power to the imagination!” The contributions of this collection show that, while all social struggles are political, many lasting changes in individual mentalities and social structures originated from utopian ideas that were realized first in artistic productions and their aesthetic reception. In this respect the various protests of May ’68 continue.


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