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Genres and Provenance in the Comedy of W.S. Gilbert : Pipes and Tabors (Routledge Studies in Nineteenth Century Literature)

By: Richard Moore (Author)

Manufacture on Demand

Ksh 36,750.00

Format: Hardback or Cased Book

ISBN-10: 0367366215

ISBN-13: 9780367366216

Collection / Series: Routledge Studies in Nineteenth Century Literature

Collection Type: Publisher collection

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 1st, 2019

Publication Status: Active

Product extent: 336 Pages

Weight: 636.00 grams

Dimensions (height x width x thickness): 15.80 x 23.60 x 1.90 cms

Product Classification / Subject(s): Literary studies: c 1800 to c 1900

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In The Progress of Fun W.S. Gilbert was considered, not as a ‘classic Victorian’, but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres.
In The Progress of Fun W.S. Gilbert was considered, not as a ‘classic Victorian’, but as part of an on-going comedic continuum stretching from Aristophanes to Joe Orton and beyond. Pipes and Tabors continues the story, covering the comedic experience differently by reference to genres. Here – treated in relation to a line of significant others – we discover how Gilbert responded to areas such as the Pastoral, the Irish drama, nautical scenarios, melodrama, sensation-theatre, the nonsensemode, pantomime spectaculars, fairy plays, and classical farce. Also included is a wider look at his relation to various European musical forms and (for instance) to the English line of wit and the Elizabethan pamphleteers.To consider a writer not so much by a study of individual works as by threads of linking generic modes tells us a great deal about cultural interconnections and the richly textured nature of theatrical experience. Pipes and Tabors offers a tapestry of overlapping genres and treatments, showing not just the design of the finished products but the shreds and patches which form the underside of the weave. According to Dorothy L. Sayers, life itself offers us the apparent loose ends of a design which will only be revealed from the front after death. In terms of Gilbertian comedy, we are privileged to be able to track both the effort of the weave and the skill of the finished product. On the way we will also discover some new links and sub-text implications about other 19th century denigrated groups which were buried from sight for too long.

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