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By: (Edited by) Patricia L. Lewy
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Reconsidering a gargantuan masterwork of modernist abstraction
This publication presents a new perspective on the German American painter Friedel Dzubas (191594) rendering of his 60-foot-long abstract mural originally commissioned in 1975 for the Shawmut National Bank of Boston. Beyond pure color field painting, chronicled in never-before-seen documentary photographs, Dzubas Last Judgment is presented here as a public expression of religious conviction.
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