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Fine Art and Perceptual Neuroscience : Field of Vision and the Painted Grid (Explorations in Cognitive Psychology)

By: Paul Hackett (Author)

Manufacture on Demand

Ksh 10,150.00

Format: Paperback or Softback

ISBN-10: 1138286893

ISBN-13: 9781138286894

Collection / Series: Explorations in Cognitive Psychology

Collection Type: Publisher collection

Publisher: Taylor & Francis Ltd

Imprint: Psychology Press Ltd

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Nov 18th, 2016

Publication Status: Active

Product extent: 152 Pages

Weight: 262.00 grams

Dimensions (height x width x thickness): 15.30 x 22.90 x 1.20 cms

Product Classification / Subject(s): Cognitive science
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Through the production of fine art, which is directly informed by neuroscientific and optical processes, this volume aims to fill a gap in the literature and understanding of the creation and perception of the grid image created as a work of art. Existing at the intersection of perceptual neuroscience, psychology, fine art and art history, it concerns the act of painting and the process of looking. More specifically, the book examines vision and the effects of visual impairment and how these can be interpreted through painting within a theoretical framework of visual neuroscience.

Over the past decade, the integration of psychology and fine art has sparked growing academic interest among researchers of these disciplines. The author, both a psychologist and artist, offers up a unique merger and perspective of these fields. Through the production of fine art, which is directly informed by neuroscientific and optical processes, this volume aims to fill a gap in the literature and understanding of the creation and perception of the grid image created as a work of art. The grid image is employed (for reasons discussed in the text) to illustrate more general processes associated with the integration of vision, visual distortion, and painting.

Existing at the intersection of perceptual neuroscience, psychology, fine art and art history, this volume concerns the act of painting and the process of looking. More specifically, the book examines vision and the effects of visual impairment and how these can be interpreted through painting within a theoretical framework of visual neuroscience.


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