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Exotic Spaces in German Modernism

By: (Author) Jennifer Anna Gosetti-Ferencei

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Ksh 26,050.00

Format: Hardback or Cased Book

ISBN-10: 0199604126

ISBN-13: 9780199604128

Series: Oxford Modern Languages and Literature Monographs

Publisher: Oxford University Press

Imprint: Oxford University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Oct 20th, 2011

Print length: 294 Pages

Weight: 496 grams

Dimensions (height x width x thickness): 22.90 x 17.00 x 2.30 cms

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Jennifer Anna Gosetti-Ferencei presents striking new readings of the exotic in major German writers such as Kafka, Mann, Brecht, and Hesse, alongside the thought of Nietzsche, Freud, Simmel, and Expressionist aesthetics. She shows how the evocation of exotic spaces serves to reflect on central problems of European modernity and the modern self.
Jennifer Anna Gosetti-Ferencei demonstrates that the exotic, as reflected in major works of German literature and in the philosophy and art that inspires it, provokes central questions about the modern self and the spaces it inhabits. Exotic spaces in the writings of such authors as Thomas Mann, Franz Kafka, Stefan Zweig, Robert Musil, Hugo von Hofmannsthal, Gottfried Benn, and Bertold Brecht, along with the thought of Nietzsche, Freud, Levi-Strauss, and Simmel and the art of German Expressionism, are shown to present alternatives to the landscape and experience of modernity. In an examination of the concept of the exotic and of spatial experience in their cultural, subjective, and philosophical contingencies, Gosetti-Ferencei shows that exotic spaces may contest and reconfigure the relationship between the familiar and the foreign, the self and the other. Exotic spaces may serve not only to affirm the subject in a symbolic conquering of territory, as emphasized in post-colonial interpretations, or project the fantasy of escapism to a lost paradise, as utopian readings suggest, but condition moral, aesthetic, or imaginative transformation. Such transformation, while risking disaster or dissolution of the self as well as endangerment of the other, may promote new possibilities of perceiving or being, and reconfigure the boundaries of a familiar world. As exotic spaces are conceived as mystical, liberating, erotic, infectious, frightening or mysterious, several possibilities for transformation emerge in their exposure: re-enchantment through epiphany; the collapse of the rational self; liberation of the imagination from the confines of the familiar world; and aesthetic transformation, revealing the paradoxically ''primitive'' nature of modern experience. In strikingly original readings of canonical authors and compelling rediscoveries of forgotten ones, this study establishes that exotic experience can evidence the fragility of the European or Germanic self as depicted in modernist literature, revealing the usually unconsidered boundaries of the subject''s own familiar world.

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