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Documentary's Awkward Turn : Cringe Comedy and Media Spectatorship

By: (Author) Jason Middleton

Manufacture on Demand

Ksh 28,800.00

Format: Hardback or Cased Book

ISBN-10: 0415721075

ISBN-13: 9780415721073

Series: Routledge Research in Cultural and Media Studies

Publisher: Taylor & Francis Ltd

Imprint: Routledge

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 16th, 2013

Print length: 200 Pages

Weight: 424 grams

Dimensions (height x width x thickness): 23.50 x 15.40 x 1.60 cms

Product Classification: Documentary films
Media studies

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This book examines disrupted encounters in documentary film and media: encounters between social actors on screen, filmmaker and subject, and film and spectator, which are all often inter-connected. Through its theorization of awkward moments, it develops original approaches to issues of ideology, affect, and ethics in the context of documentary film and spectatorship.

Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.


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