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Documentary Graphic Novels and Social Realism - New

By: (Author) Jeff Adams , (Series editor) J. Barrie Bullen

Extended Catalogue

Ksh 9,950.00

Format: Paperback or Softback

ISBN-10: 3039113623

ISBN-13: 9783039113620

Edition: New

Series: Cultural Interactions: Studies in the Relationship between the Arts

Publisher: Verlag Peter Lang

Imprint: Verlag Peter Lang

Country of Manufacture: CH

Country of Publication: GB

Publication Date: Oct 13th, 2008

Print length: 214 Pages

Weight: 348 grams

Dimensions (height x width x thickness): 15.20 x 22.50 x 1.40 cms

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  • Description

  • Reviews

This book analyses graphic novels which document social crises. It demonstrates that artists’ documentary use of this medium is a form of social realism, inextricably bound up with politics and ideology. Theoretical and visual approaches are employed throughout, introducing the principal themes of the graphic novels under scrutiny: political realism, visual documentary, traumatic childhood, ethnic discrimination, state oppression, and military occupation. The key works examined are Keiji Nakazawa’s Barefoot Gen, Joe Sacco’s Palestine, Marjane Satrapi’s Persepolis, W.G. Sebald’s Emigrants and Art Spiegelman’s Maus. Innovative techniques, radical methods of depiction, sequence and text organisation are analysed throughout to explain how the authors use visual realism to represent these social crises. The book is well illustrated as a visual support for its exploration of this emerging and vital documentary medium.
This book analyses graphic novels which document social crises. It demonstrates that artists’ documentary use of this medium is a form of social realism, inextricably bound up with politics and ideology. Theoretical and visual approaches are employed throughout, introducing the principal themes of the graphic novels under scrutiny: political realism, visual documentary, traumatic childhood, ethnic discrimination, state oppression, and military occupation. The key works examined are Keiji Nakazawa’s Barefoot Gen, Joe Sacco’s Palestine, Marjane Satrapi’s Persepolis, W.G. Sebald’s Emigrants and Art Spiegelman’s Maus.
Innovative techniques, radical methods of depiction, sequence and text organisation are analysed throughout to explain how the authors use visual realism to represent these social crises. The book is well illustrated as a visual support for its exploration of this emerging and vital documentary medium.

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