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Deleuze and Lola Montes

By: (Author) Dr Richard Rushton

Manufacture on Demand

Ksh 2,950.00

Format: Paperback or Softback

ISBN-10: 1501345753

ISBN-13: 9781501345753

Series: Film Theory in Practice

Publisher: Bloomsbury Publishing Plc

Imprint: Bloomsbury Academic USA

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 10th, 2020

Print length: 200 Pages

Weight: 210 grams

Dimensions (height x width x thickness): 12.80 x 19.60 x 1.70 cms

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Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies. From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.

Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.

From one of the foremost theorists following Deleuze in the world today, Deleuze and Lola Montès offers a detailed explication of Gilles Deleuze’s writings on film – from his books Cinema 1: The Movement-Image (1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls’s classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.


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