This book explores questions of gender, desire, embodiment, and language in Barker’s oeuvre.
This book explores questions of gender, desire, embodiment, and language in Barker''s oeuvre. With The Castle as a focal point, the scope extends considerably beyond this play to incorporate analysis and exploration of the Theatre of Catastrophe; questions of gender, subjectivity and desire; God/religion; aesthetics of the self; autonomy-heteronomy; ethics; and the relation between political and libidinal economy, at stake in 20 other plays by Barker (including Rome, The Power of the Dog, The Bite of the Night, Judith, Possibilities, I Saw Myself, Fence in Its Thousandth Year, The Gaoler''s Ache for the Nearly Dead, The Brilliance of the Servant, Golgo, among others).
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